“Roddy wrote the album Lo! Soul from which this single is taken, while locked down on a Hebridean island. He wanted a playful and surreal video with an element of performance that reflected the island location, a challenge given I’d be making it myself at home in Glasgow. I built an island environment in Unreal Engine, and incorporated phone footage from Roddy and singer Jill Lorean, processed using video synthesis. I set everything up so I could wander round the island in VR and scout for shots, which added an enjoyable element of experimentation. Takes were roughly assembled in the Unreal sequencer, then rendered for final editing and post production.”
As we near the end of another academic year, our Undergraduate students will be putting finishing touches on their projects – and in a couple of months time we’ll be launching the new GSA Digital Showcase.
In the meantime, you can still enjoy the Graduate Showcase from last year – SimVis students from the BDes Sound for Moving Image produced a fantastic range of work, and are well worth checking out.
It is becoming something of a tradition for the GSA annual Season’s Greetings videos to be produced by graduates of our MDes Sound for the Moving Image programme. This year its the turn of graduate Graeme John Douglas Ronald with this moving and reflective piece – Forever River. Enjoy.
Our next open evening will be on Tuesday 15th May 2018 – from 5.30pm to 8pm.
Come along to hear about our postgraduate and undergraduate degree programmes, to experience student projects in Virtual Reality and ambisonic and surroud sound, and to chat with course tutors.
Students on the MSc Sound for the Moving Image gave up their free time on weekends and evenings to create the soundscape for the independent film Tam, a short film that has been well received internationally.
Tam was already won an Award of Recognition at this years IndieFEST in the USA, and will be coming to more festivals this year. Look out for more news in the near future.
We would like to congratulate the students on their excellent work and wish them all a great summer as they complete their degree, as well a lucrative film career in the years ahead!
The Glasgow School of Art is now accepting applications for the 2017/18 GSA Scholarships, and full details of the awards and the application process available on the GSA website.
Some of these scholarships are specifically for study at SimVis on our masters programmes in sound and visualisation – including international scholarships with awards of £2000 to support fees and living costs – and there are similar awards available for Scottish and EU students applying to the Postgraduate Welcome Scholarships.
Many thanks to local Post-Production specialists, Savalas, who have sponsored a new scholarship for students applying to our MDes Sound for the Moving Image. Savalas is Scotland’s largest audio-post facility, and was founded by 4 friends in 1998 on the back of a small bank loan and local authority grant that has become a well-established part of Scotland’s post-production community. Without the initial financial commitment and endorsement, it would have been virtually impossible for the company to secure premises and literally get out of the bedroom. Savalas hope that this Scholarship will provide a similar level of support and acknowledgment to the successful applicant.
All scholarships, including the Savalas award, are being advertised to all GSA applicants, and can be applied for till the deadline of Wednesday 31st May 2017.
As previously mentioned, SimVis lecturers Ronan Beslin and Paul Wilson had the opportunity to present two guest lectures at this year’s Glasgow Film Festival: Life of a Foley Artist, and Anatomy of a Soundtrack. We are happy to report that both sessions were filled to capacity and were a huge success. Well done!
Paul noted: “It was a great privilege to be invited as guests of the Glasgow Film Festival. Our revealing and humorous sonic deconstruction, accompanied in depth discussion of theory, historical and current practise, sparking a lively Q&A session in the presentation room and afterward in the lovely bar of the CCA. It was fabulous to be able to screen the latest outputs from our studios (‘Tam’ by Greenlight Creative) in which our hard working post-graduate students produced exciting Sound Design, Foley and Mixing: The film has been subsequently submitted to the Edinburgh Film Festival and The BBC are currently considering it for broadcast. Both evenings were ‘sold-out’ and we look forward to joining with or GFF colleagues in future years.”
Students may want to check out Anatomy of the Soundtrack, a free talk at the Glasgow Film Festival on the 17th of February being presented by Ronan Breslin and Paul Wilson from the School of Simulation and Visualisation.
With over twenty years of sound design experience on over 250 different projects (having worked for the BBC, Channel 4, and GFF16 title 16 Years Till Summer), Ronan Breslin and Paul Wilson will deconstruct and reconstruct the key building blocks of a film soundtrack. From basic sync dialogue to complex sound design and rich musical scores, Paul and Ronan will delve into the fundamental frameworks of how a film speaks to its audience via sound and music.
Apply now for final places on Masters study at GSA’s Digital Design Studio.
We currently still have a small number of places available on our Masters programmes for study starting this September:
- MDes Sound for the Moving Image
- MSc Medical Visualisation & Human Anatomy (with The University of Glasgow)
- MSc International Heritage Visualisation
- MSc Serious Games and Virtual Reality
More on how to apply on the GSA website.
Enquiries to email@example.com
The DDS’s own Ronan Breslin, programmer leader for the MDes in Sound for moving Image, had an opportunity to offer his insights into running a recording studio at one of the Audio Engineering Societies recent meetings. Answering questions on how the industry of sound engineering has changed with advancing technology, and how to complete in a market where home recording can be done on portable laptops.
Details about the event (and further upcoming events) can be found here.
“The event was very well attended by a very enthusiastic group of sound production students and AES members. The attendees enthusiasm was evident via their well-considered questions and discussions at the social event afterwards. It was a privilege to share a platform with eminent musician/engineers Paul McGeechan and Brian McNeil. Thanks to the AES for having me.” – Ronan Breslin